|---10-10p7---10----9h10---12--10-9------10--10-7--10-| |-----------------------------------12----------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------0-----------0-------------------------0---| |-0---------------0---------------------0-------------| |---9h10-----------------------------------------------| |---------12-10/7-7-8-10------8-7h8p7----7-8-10-12--10-| |-------------------------------------9----------------| |------------------------------------------------------| |--------0---------------0---------------0-------------| |-0------------------0------0----------------------0---| |--------9---------------------------------------------------| |-----12---12--10-8-7----7h8p7------------7-8-----10--10-----| |---------------------9--------9-7---7-9--------9------------| |------------------------------------------------------------| |-0-----------0--------------------0----------0----------0---| |---0-------------------0----------------0-----------0-----0-|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash